Frank to say that many of her works has a brilliant and impressive, sweet but not greasy, thin but not broken the artistic temperament, which are dependent on the adaptation of the artist’s training and ability to control, and the need of the traditional frame on the bronze sculpture and decorative bronze carved into the open air public space – to accept contemporary pluralistic society to examine the breakthrough across the ability and courage; in the form of another of her seemingly “bronze sculpture piece” figure series, you can see a simple, straightforward, and the characteristics of the atmosphere and sense of humor. These inscriptions on Chinese bronze are either rough and unrestrained or vigorous and forceful. More importantly, these figures and the potential plot basis of the premise.
For the understanding and involvement of the arts and artists of different artistic concepts and creative patterns due to the different understanding and intervention, inevitably created, the artist’s sensitive and socio-cultural issues. The words of inscriptions on this bronze come up to 497 words. My limited observations and understanding of the theme elements in many of the works of Wang Xiaohui, ideas, elements, form elements, materials, elements and production elements from different angles, revealing her dedication to the language and aesthetics of contemporary bronze sculpture in the form probing and testing, also naturally imbued with the absorption, choice and financial changes will and perseverance. Her work belongs to a professional art circles, but also contemporary mass society here does not strictly separated from the gulf.
Only in words like “excellent premise continues to build its own language system,” then “in order to put the full and unique. Constitute a way to find the “Fu”, which is the basis of Lu Pin Chang to speak. Lu Pin Chang a long time to stick to their language, and he works to build a level of visual aesthetics, firmly “artistically” as the driving force to implement mobility. He works full, filling, volatility, elasticity, tension, etc., have been through the organic life to be wrapped, and ultimately making it he seemed to shake the shape reflected. The next is about the appreciation value of calligraphy of the bronze. Q: Lu Pin Chang’s works is regrettable that so round? I said: but true circle round and not pickled. Asked: is regrettable that the surface circle, circle line, the body is also a round? I ask: What are the characteristics of Lu Pin Chang three words? Q A: vertical, horizontal, folded.
One implication of the identity of the cultural horizons of knowledge women held emotional preferences and visual aesthetic scale of values, these are not a convergence, or submissive to the male social or traditional elite culture, values and aesthetic likes and dislikes; nor simply follow the popular taste in popular culture and commercial culture, but in of psychological experience and artistic sentiment to go straightforward and free expression. Few of the characters carved on the bronze are long papers. Objective point of view, mean that culture purport of the aesthetic of her work across the traditional and the modern West and the East, men and women as well as decorative and performance (and experimental) of the fence, and more her own right ” United States “as well as the lives of contemporary people.