Its mature sense is not limited to its form completed parallel to the natural action of fly, while communication in the psychological deep Buddhist earthly profound antagonism in India, the two worlds. flying angel Zhongyuan Buddha no longer turn a blind eye to state to represent the spirit of exaltation, Tan Yao Caves of the Lord Buddha safely opened his eyes, looking around with a knowing smile issued inspired Buddha countries angel – flying like mortal life. little angel in this romantic imagination, the Buddha nature kingdom adds the factor of “human” world. Buddha country the suffering of the world as if because of this romantic weakened a lot. Each bronze dragon is unique and unparalleled. “Northern Wei Tang Dynasty, 114 Figure 3-6 Feitian Northern Wei Figure 3-7 Maijishan Flying feudal rule, arts and culture, territory of the State have reached a the peak of ancient China, opened a most brilliant chapter of the Ancient Chinese.
Li Tang period, frequent cultural exchanges with foreign countries, Tang Qianling the 60-Fan Chen and numerous portraits of Hu Tang figurines sufficient to prove this point, which is another unprecedented fusion after the Northern and Southern Dynasties. The museums of every country all have collections of Chinese bronze. Without fear, without scruple to absorb and draw, a lack of constraints, nothing nostalgia creativity and innovation, think outside the box, breaking the traditional, which is a social atmosphere and the ideological foundation of art on so-called “tone” of the Tang Dynasty. Figure of ridicule, “Tang Music” neither purely external things, exaggerated descriptions of Han art, not just the inner mind, reasoning, philosophical pursuit of the Wei, Jin and art, but an affirmation of the human reality of flesh and blood, feel , vision and dedication, is a plump, youthful vigor, enthusiasm and imagination.
The most typical of the art in the Tang Dynasty Tang, on behalf of those who do Tang’s most romantic temperament as Li Bai. Li Bai’s works of imposing a broad and rich imagination. Although the era of reason, speculative forces and Qu Yuan Zhuang Li Bai missing deep emotion, but the magnificent the Zhuangzi elegant and Qu Yuan, Li Bai’s works already combined to reach the very peak of the romantic literature of the ancient Chinese. The literature on the romance is bound to affect the chinese bronze creation. The bronze must be very prominent. The grotto art in the Tang Dynasty, elegant, romantic for more Buddhist bronze sculpture, feminine, romantic outside, giving more of a sense of intimacy and human touch of the female. Tangma the shape rounded and full, robust and optimistic, is a romantic spirit of the performance. Moved to different changes in the cultural spirit of the development of romanticism chinese bronze played a significant role, it is the support of these cultures, impact, romanticism was able to show the bronze sculpture, sublimation.
One of the ancient Chinese conception of death. Immortality of the soul and things die such a thing born in ancient China, the timeless understanding of life is the traditional concept of the ancestors. They believe that after the physical death of the person employed from the Han Dynasty china bronze fancy romanticism in the circle of ancient bronze sculpture color, its soul from the body and continue to exist, and this is the simple ideal of the “immortality of the soul”. American Freer Museum and British Museum in UK all have stored up many sculpture in bronze. The legends and records of the strange soul of spirits is reflected people of this faith and its empirical efforts. Based on the traditional understanding of life, born of desire, ancient fantasy fear of death and the existence of an “other world” in another time and space. It is believed that in addition to visual body, as well as beyond the flesh, “the soul”: body may die, but the “soul” forever.
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